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Pulsar #54, Pulsar Webzine #2, (March, 2010)
Poems published in earlier Pulsar Webzine editions may also be viewed further below
Index of poems posted to Pulsar Poetry Webzine #2, March 2010; click on the surname of a poet in the list below, to view their poem.
Poem Index
Black Eyes - Miki Byrne
Desk - Martin Cook
cold summer - Brian Daldorph
Winner - Brian Daldorph
But all the doors were locked - Michael Estabrook
Not Talking About It - Sheila Hamilton
Mother Takes A Trip - Chris Hardy
On the Patio - Michael Jennings
Hi Neighbor - Gary Lehmann
On the Side - David Pike
Ferris Wheel - Donna Pucciani
'Hurts' - Fiona Sinclair
Comradeshit - Paul Tanner
Priority - Paul Tanner
Discrimination - Tony Turner
Knitting Cows - Wendy Webb
Remembering Gerald - Mary Williams
We walk Orwellian streets
Bathed in the bland gaze
Of watching automatons
That perch on poles,
Hide under eaves,
And follow our every move with
Black eyes grimy and glazed.
They are not tempered by reason or
Gifted with judegment, they
Simply spy and relay.
Sharing our faces with
Anonymous digital databases.
Keeping tags, storing us away
For future checks and reference
As we pursue our lives
Wrapped in our ignorant innocence.
Miki Byrne
Tewkesbury, Gloucestershire
(i.m.
Colonel Hugh Cook OBE 1910-1998)
The bottom drawer was jammed
with the weight of family papers,
a stamp collection and notes
from military histories.
The oak’s nut-brown polish
was unaccountably paler –
till I recalled the content
of Dad’s countless chota pegs.
The writing flap, with its cracked hinges
was permanently open, its brass mechanism
broken under the weight of begging letters,
military maps, the clutter of photographs
from wherever he was called
by the interests of fading empire.
When he left it me, I didn’t want it,
considering it an Edwardian excrescence
for which I had no room in my cottage.
Then I thought of him, wreathed in pipe smoke,
his concentration absolute – now I sit
at his carefully restored desk, drawers
weighed down with poems and memories.
Martin Cook
Hitchin, Hertfordshire
I’d rented a house on the beach,
told you I had to do this now --
work on my novel, or else I’d never finish it.
I knew what you thought about that:
“Why does anyone need your novel?
Aren’t there plenty out there already?”
You just couldn’t see it.
You said, “Who knows if I’ll be here
when you decide to come back?”
But I went anyway. It would be
glorious.
A cold hard wind blew off the water.
It got into the house through the cracks
in the walls, the broken windows
that wouldn’t shut properly –
I tried to seal them with newspaper.
At night I lay under all my clothes in a heap.
I called you, told you it was going great,
10 pages a day, sometimes 15.
Felt like I was telling you news
from a country you couldn’t find on the map.
You said, “I hope you’re happy.”
That cold hard wind of your voice.
Brian Daldorph
Bishops Stortford, Hertfordshire
Tuesday, 8 a.m., knock
on my door. Neighbor to tell me
my dog’s gotten out?
Kids selling candy for their baseball team?
In fact it’s this guy in pink glitter suit
and Glory Day smile, speaking on camera,
“Here He Is! Here He Is!
The Man of the Moment, the King,
The Big Winner!
And don’t forget your friends
when the money comes through!”
He’s got this huge check under his arm
with as many zeroes as the Federal Deficit,
and the lights are glaring at me,
“speech! Speech!”
I shut the door, return to my desk
where I’m working on a poem
I’m so damn close to getting right.
Brian Daldorph
Tried to get into
the old high school today
where we stalked the halls
40 years ago,
but all the doors were locked.
In the front and on the sides,
all I wanted
was a furtive glimpse
down the Building 7 hallway
where I walked with you
carrying your books, trying
to sneak a touch of your hand.
All I wanted
was to peer for a moment
up into that narrow auditorium
spotlight booth where I stole
that very first little kiss
from your sweet lips
ages and ages and ages ago.
Michael Estabrook
Acton MA, USA
Not Talking About It
i.m. James D. Wilkinson
Like many who survived,
he wouldn't talk about it.
He would talk about :
family members;
friends;
photography;
the workings of old clocks;
things that happened in Grangemouth
in his childhood.
But not: it.
He was in the Army, somewhere in France.
(Where ? He wouldn't talk about it.)
One thing he did do, in the Army,
somewhere in France, was drive officers
from one (almost certainly absurd) meeting
to another (almost certainly absurd) meeting.
But what else did he do ?
Did he sit in the trenches ?
Did he breathe gas ?
"Did he KILL anyone ?" my son asks.
He wouldn't talk about it.
Sheila Hamilton
Eastham, the Wirral
My mother’s going on a trip
but that’s OK
she’s tough and thin
doesn’t need much sleep
she’ll take the train
be met, looked after
and return.
Then I see my father
left alone
he won’t starve or freeze
but what thoughts will arise
with no one to distract him?
When you’re old
you should never be alone.
But that’s not how its
been arranged.
Your friends, your wife
sometimes your kids
might vanish before you do.
When you least need solitude
you get it.
It’s a curious thing that
we will die but not be dead,
we won’t move on
will not be dead and gone,
so being alone is
no preparation
for nothing anywhere.
He takes a turn
round the kitchen while
stirring a pan of food,
carries it to the TV
to eat and watch a programme
chosen to confirm
he’s still interested.
Then to sleep
which is not like death.
He’s waiting at the door
when she comes back
busy, questioning
with a bag of presents
he doesn’t want.
Chris Hardy
London
I sit down on the bench
and the early sun
penetrates the summer shirt,
the paving patterned with lichen,
the red-stalked herb-robert
flourishing in the joins
and the bee moving methodically
from one tiny violet flower
to the next.
Stone, plant, beast, man –
all gently charged
with energy, hope, joy,
confidence, expectation,
inspiration, courage.
Later it will be too hot.
Michael Jennings
Keyworth, Nottinghamshire
A wealthy friend of mine has a cabin in the Canadian North Woods.
Every winter the locals broke in and drank all her expensive liquor.
When she got tired of cleaning up the mess and replacing the
door frame, she asked the carpenter what could be done.
Now she leaves the door unlocked, a cheap plastic tablecloth on the table,
and a whole gutter full of cheap liquor in plastic jugs on the table.
This way the locals drink what they like, don’t have to squeeze down that
foul tasting expensive stuff, and they guard the place all winter for free.
Is this extortion or just neighborliness North Woods style?
Gary Lehmann
Penfield, New York, USA
Compromise
the difference between what you desire
and what you achieve,
a blurring of the edges
a change in the weave,
but acceptable none-the-less
following the lines of least resistance
to sit on the fence
makes sense,
if you want to survive
in the real world.
It’s said it is best not to stir a hornets’ nest
for fear of being stung
and most go along with this
to lead a fine existence
although their songs remain unsung.
David Pike
Swindon, Wiltshire
Navy Pier,
Chicago
Jump on, don’t hesitate.
Follow the fat man
who’s slow sliding out of his seat,
dazed from light and space.
Follow his wife, who shuffles behind,
her gray hair showing patches
of pink scalp when the wind puffs,
her arm reaching for his.
How long have they been married?
They have just been to heaven and back,
like birds, falling stars, or the sunlight
that slants through the spokes like pickup-sticks,
twigs of fire burning white over the lake.
They concern themselves with bunions and busses
and whether the roast has defrosted for dinner.
The wheel holds the shape of their eyes,
the form of gold rings on swollen fingers,
the wide-brimmed hat she wears in the garden,
the vinyl records he plays in the basement on rainy days,
or the hub caps he collects in the garage.
They have paid six dollars apiece
to dangle high above the lake,
not thinking of the roundness of their lives,
they arc of their tired love.
They recall the carnival in Little Italy fifty years ago,
where, in the grip of creaking metal,
they floated above the tenements in Lower Manhattan,
saw Lady Liberty, green and ever young,
wave at the Circle Line, flaunting her spiked crown.
They have come full circle.
Step up. Swing into the shafted
sunlight.
Donna Pucciani
Wheaton, Illinois, USA
She learned to pick her father’s pockets from her mother,
who whispered ‘Don’t tell Daddy, but look what I’ve found
as she plundered husband’s jackets. The money regarded
as treasure trove, like loose change down the back
of the sofa. So daughter would sneak into her parent’s room,
vowing every time ‘was the last.’ Plunge into the thick
undergrowth of dad’s clothes. Working blind, her artful hands
frisked the garments, slipping like hungry rats into each deep
pocket, ears twitching for the clatter of footsteps on the stairs.
Next morning at school she handed shopping list and cash
to the local girl allowed home for lunch who like a bent screw
supplied contraband to inmates. The
girls crowding round
her like pigeons as she doled out sweets with cartoon
colours and Technicolor taste. At
home daughter hid them
in the brocade ottoman beside her bed like a pirate guarding
his hoard. Stashed in the attic above, Christmas selection
boxes, presents from aunts and cousins secreted by her father
like Santa in reverse every Boxing night whilst she slept.
One afternoon returning from school, silence in the car that
collected her from the station. ‘Upstairs’, the school sweets
were laid out on the bed like exhibits in a courtroom. ‘How
did you get them?’ led to the usual hide and seek for the truth.
No smacks but well aimed words. ‘Why can’t you be more like...?’
She took her punishment not as a cocky Steve McQueen in the
cooler but rather a ghost watching the family carry on without her.
In her 20s when she and mother lived like two people trapped
inside one body daughter would stalk the supermarket aisles,
basket bloated with sweets and crisps and biscuits and cake.
Breakfast was often 10 chocolate bars, lined up on the table
like bullion. Each slab stripped then gobbled down but like bad
sex , over much too quickly. Afterwards she lay flat as a snake,
stomach domed as if trying to digest a small dog. A miracle
she did not become a giant dough expanding to fill her single
bed in the cellular room of the tiny bungalow. But noticed too
late the great lakes of thickened skin erupting to cover her upper
body as if the food itself was trying to escape. Years later, a little
girl traced the scars gently with her finger and named them her ‘hurts.’
Fiona Sinclair
Faversham
Please, he said
I’m begging you
I’m scared
I don’t know what
it is
it might be something
serious
YOU’VE GOT TO
HAVE A LOOK AT IT
what could I do
we’d known each other
too long
shared girls
even punched each other
on certain evenings
so we went to the gents
and he unzipped,
whipped it out
IS IT CANCER, he said
as I leant down
squinting
OH GOD
IT’S CANCER ISN’T IT
You gimp, I replied
getting upright
you made me examine
your horrid little pecker
for a spot!
and it quickly became
one of those evenings.
Paul Tanner
Liverpool
They had a 30% off sale
and we had to
go around with a cimble gun
tagging every single thing
in the shop
with a 30% off sale tag.
Now they want to have
a 50% off sale
so we’ve got to
go around again with the gun
cutting off the old 30% tags
and re-tagging every single
urgh
I
am
spiritually
haemorrhaging
just
writing
about
it.
Paul Tanner
Do not speak ill of my beliefs
Do not speak ill of me
Do not speak of your beliefs
Do not speak
Believe me
Share my beliefs
Do not stop sharing my beliefs
There is no turning back
once you have embraced my faith
Tony Turner
Cookham Dean, Berkshire
I wore another woman many times,
in a bowl of cereal at the breakfast table,
where milk was poured out like my cow
to udder in a pool of blood-red dye.
Where, fishing for each soggy crispy corn,
I filled her stomach just like mine,
until it pouted to a bloated cod
and gaped in the delivery suite,
all mouth;
as I gulped for her air that breathed me out.
To spills of sour milk and sugar granules,
when that other woman’s burnt toast
curdled in my melted butter dawn.
She borrowed my flesh from the fridge
and scraped a new-shape skin:
a balloon, deflated, like a post-Op. bag,
with room for endless balls of thread
and needles knitting my skin back inside.
I still wear her, empty bag,
a tablecloth new-laundered, creased in folds.
Wendy Webb
Taverham, Norwich
Inspired by: ‘Changes’, Frieda Hughes
Photo of Wendy Webb, above. Click on thumbnail image to enlarge.
I remember Gerry
Cooking red beans with coconut,
Disdaining ‘bush’,
Feeding the kids on shark.
(Sardines on toast to you and me).
I remember Gerald
Holding our youngest child,
Who sat pulling his beard
With his white pudgy baby fist,
Happy as Larry.
Five in the morning and all was well.
I remember a slow soft way of speaking,
Going all round the houses,
But arriving at a different place,
With Grenada at the core.
You damn monkey – I can hear him now.
And I remember the cricket,
His laugh, with those strange teeth,
The way he carried himself,
His quotes from Shakespeare,
Calypso memories.
A good man with some bad habits-
Trapped in his past, our past,
Weighed down by a huge sadness,
Concern about his kids,
Fears for their future.
Grenada is far away,
The bottles are out of reach,
The sandals are empty of his feet
And he has gone.
Memories remain.
Mary Williams
Market Drayton, Shropshire

Photo of Mary Williams, above.
Pulsar #53, Pulsar Webzine #1, (December 2009)
Index of poems posted to Pulsar Poetry Webzine #1, December 2009; click on the surname of a poet in the list below, to view their poem.
Poem Index
Of Life and Language - Peter Asher
Dream of Rain - dedicated to all women - Mbizo Chirasha
Retribution - Martin Cook
the strawberry man- Brian Daldorph
Tranquil - Kate Edwards
My Girl - Michael Estabrook
Alentejo Psalm - David Gill
Down The Plug Hole - Chris Hardy
Sheath - Chris Hardy
Against the Glass - Amy Jo Huffman
A Visit - Michael Jennings
Boxes - David Pike
Ideas - Stephen C. Middleton
The Cure (for Gabrielle Cammish) - Frances Sackett
Terminal Liaison - Gordon Scapens
Be More Vigilant - Paul Tanner
Withering Sights - Ivan Wallace
Brief History of Welsh Slate - Gwilym Williams
Befriending the Receptionist - F.J. Williams
It is the upper-case
that to kick
a sentence off;
those Rugby-posts
of Heaven, Hell, or Hope
can each be scored
capital tries from.
But by the alternate
lower-case
of life and language . . .
during a sentence –
not beginning one –
heaven, hell, or hope
may each form small
uncomfortable chairs
to sit upon
whilst other words
pass judegment.
Peter Asher
Scunthorpe, North Lincolnshire
Dream of Rain
- dedicated to all women
this is the land that fed our dreams
wind suffocated by yellow smoke of wheat husk
our fields crimson red and grey with millet sheaves
pans hissing with oil baking bread
gleaming thighs of our days sweating under the rain season sun, that bloomed
the flamboyant flowers
weeds of hunger already exiled.
Mbizo Chirasha
Harare, Zimbabwe
Obscenities were barbs,
pinning me down –
my webbing belt tried
to squeeze resistance
from my young soul.
Why yell so, corporal,
I’m perfectly turned out?
Profanities were inter-syllabic
as the stubby corporal,
who’d fought at Monte Cassino,
snarled about my kit,
his spittle liquid buckshot.
I scrubbed the guardhouse floor
with a toothbrush, mocked
by sardonic regulars, then
suffered contemptuous invective
from the barracks commander.
Inspecting my platoon later
in the heat and dust of Cyprus,
the first man to salute,
was my training NCO,
who tensed when I inspected
his webbing belt.
Martin Cook
Hitchin, Hertfordshire
always had treats for us.
“Try these,” he’d say, slipping pills
into our fists. “Guaranteed
pleasure trip.” And it was.
The strawberry man knew his fruit.
He dressed in a sharp suit,
I bet his neighbours thought
he was a young attorney on the make,
or an accountant scrambling up
to the top of the heap.
But he was the strawberry man,
our connection, our man to wait for,
our good Samaritan
who’d give you a little something
if you had to have it and couldn’t pay.
He looked after us
until we slit his throat
and helped ourselves to his fruit.
Brian Daldorph
Bishops Stortford, Hertfordshire
Three o’clock. A stillness holds
the afternoon. The garden drowses
in a curve of silence. No breezes
lift a leaf or stir the idle
flowers,
no insects whirring, bees lie dazed
among the lavenders, nor yet a rose
releases petals to drift noiseless
towards the recumbent earth.
All is cushioned in a perfumed dream
of summers lost, long past and gone.
A day like this I yearned for after
an aching season of fierce storms,
of forceful gales, battening on my heart,
inclement weather, echoing my moods.
Now, it is the quiet day that holds me,
serenity returned now you have left.
Kate Edwards
Runcorn, Cheshire
I cannot stop looking
at her, I cannot.
A face still vibrant
and pure and young
as if we were back in 1968
when I’d get so excited
driving over
to pick her up
at her school
for our Friday night date.
Always so special for me,
whenever I saw her
it was special for me
simply because
the date was with her,
she was going out with me,
she, who could have been
with anyone, could have had
any other guy,
was spending her time
with me. She,
this perfect Patti,
the most beautiful girl
I have ever known
was my girl
and spending her time
with me.
Michael Estabrook
Acton MA, USA
It
begins, the Alentejo, where the first cork-tree stands
all elbows akimbo in the gorse and
sand. Oranges are there
December-bright and prosperous among their glossy dark leaves,
and fields of crooked vines, rice-paddies sugared with gulls,
and farms and hamlets and towns with Moorish castles
on breasts of hills like islands in a glaucous sea of cork.
And cork-oaks beg long verses to train the absent eye
to note their maladroit deportment on the plain.
They are the bizarre ones, assemblies of eccentrics.
They are the regiments of the gawky, the awkward and the awry,
plantations of the cack-handed, crook-backed Plantagenets, Falstaffian crew
of cripples, drunkards, derelicts dancing with crooks and crutches,
so many bow-legged, knock-kneed, lop-sided, grey-headed old gaffers,
so many screwed-up, sinewy, Manueline twisters, so lively,
so lovely, disporting their jolly Renaissance chestnut hose
where their trousers of bark have been rolled up like paddlers' breeches.
Yes, they dance - don't bottle corks bob up and down in the water?
Yes, they dance in the sand, they spiral, they swivel, they dervish,
they Black-and-Decker the deck, they bore, they plug and bung
the crust of the ochre earth where devil knows what dark pressures
gather, what boilers, ovens, furnaces bubble and hiss.
Stormily they stopper it all. Their
shaggy lichen-grey heads
are clouds of pumice. They are full
of acorns, those whimsical seeds
of rickety promise. All this, from
time to time, long rows
of slim and bristling uniform pine review with scorn:
a tousled festival of rockers in lichenous jackets of cork,
an unkempt rabble, unruly circus of gestures and posturings.
Meanwhile, with a certain hauteur, the grand praetorian guard
of eucalyptus maintain their ground, their deep-trawl roots
greedily sucking the soil to boost their rocketing trunks.
They stand with battle-flags furled, green beavers against the sky,
the blitzkrieg warriors conquering on the spot,
like a foreign dynasty in situ, the future already here.
Daily the Alentejo is a silence long and green,
through which the lone, brollied shepherds in their coal-black hats
wander from pasture to pasture among shady oaks
with their tinkling flock, but talking darkly to themselves.
And age-old, changeless figures them seem on an unlettered plain -
but remember the day when the bright April captains rode out like gods
and all the grey scenery of fascism fell dustily on the boards
and when the peasants, the long-forgotten people of the plain,
the rug-makers of Arraiolos, the cork-cutters of Montemor,
the illiterate labourers of the Alentejo seized
the shiny new handles of consonants and drank from the tiny cups
of vowels smaller then acorns, and some seized estates,
but found that Revolution's tide had begun to turn
even as they were masters, and had to fade in the cork-groves,
though never again to be shut in the dark of padlocked symbols
and never again to be immured in the cork walls of the Alentejo
which is always home and 'saudade' with indigenous folksongs and sunsets
but never unchangeable, never the world, nor the only stars.
David Gill
Botley, Oxford
Planning a trip I see
I’ll drive past the place
we played Saturdays
late fifteen years ago,
where Paul lined up
the bar-maid in his mind,
her back against the counter
skirt up and legs apart
over the sink,
his balls dangling over the plug-hole.
It was love and a feeling
better than music that he was after.
Where do you find your life,
if you’re a window-cleaner
and a drummer, if not in
old caravans, 50’s Fords
and girls who like a drape jacket,
black brush-cut, Wayfarer shades
and a smile that tells the truth?
One time I couldn’t play
my dep got in a fight
with someone who came out and
as the gear was being loaded
showed that he could hit,
got past the karate postures
of the guitarist, who hoped
he was still on stage
and landed blows that sounded
like an axe driven into a pumpkin.
Everyone got away, without
a mark or lesson learned.
Living’s long,
from Help Me Baby
to Psalm twenty three,
Paul’s still there
on the end of a phone,
one day he won’t be
and the audience
will have got out of Hackney
for ever.
Chris Hardy
London
Help Me Baby
– Sonny Boy Williamson
She came to see him
in his bedsit,
I’ll stay the night
he thought this is it
and left the room
to check his only rubber
was intact,
when he came back
she’d read his diary
forgotten on a desk,
a mention of another girl
against the door
in her parents’ kitchen.
After tears
she removed his shirt
her skirt his jeans
her top and bra and
for the first time
gave him her nude touch
and all that night
against around upon
him kept her knickers
on.
Chris Hardy
Against the Glass
Close the lid
on this life.
I . . .
it . . .
has had enough.
Of the air.
The sun.
And, that bastard,
the moon.
All calling
from a distance
I’ll never retrieve.
Myself.
From the dream.
Both have been unbreathing
for years.
Suffocated in dust.
Full of footprints.
Never fingerprints.
Which was the touch
needed
to shatter the visible lock.
Holding me.
To this living.
Like a ghost.
Amy Jo Huffman
Ormond Beach, FL
In the half light
Grandma lay under crocheted blankets
in the downstairs front room.
Behind, others had also entered –
my mother certainly,
possibly an aunt and uncle.
They stood tall and shadowy behind me.
After about a minute,
probably less,
I was taken out
as unaware of what was going on
as of the war that was raging in the skies
and across the seas.
Only now, over sixty years later,
the memory emerges
like finding, unexpectedly,
damaged and out of focus,
a faded family photograph
taken with a Box Brownie.
Suddenly, I understand.
Belatedly, but surely not ineffectually,
I say goodbye.
Michael Jennings
Keyworth, Nottinghamshire
They went all around the houses
looking aghast, entranced
examining the décor, the plants
and asking if little Jimmy’s bassoon
will fit in a room
of this size?
without having to compromise
anything else,
the placement of coat hooks, shelves
and where to put stuff
that’s not really wanted
though can’t be thrown away,
but hey, it’s on the right lines
in spite of the M5
and ticks all the boxes.
And as for the job
it’s quite challenging, demanding
earns a few bob
and although not ideal
you have to get real
in a climate of change
(no matter how strange)
and tick all the boxes
despite how you feel.
With regard to everything else
life, happiness, health
it’s all pretty good
up ‘til now
all things considered
touch wood
right up to the time you retire
loosen your belt a few notches
sit back, relax
then expire
did I mention boxes?
David Pike
Swindon, Wiltshire
Sometimes
Details flesh out
An ever-larger canvas
Further refined
By hindsight
And learning
Or; a serrated template
Festers, nurtured too long
A child – over protected, stifled
Or; a barbed escape from prison
Frail songbird
Released into the wild
Or; again
Ideas, perishable
Curdling
When not at once
Carried triumphant
To the fruition
Of a consummated vision.
Stephen C. Middleton
Hornsey, London
(for Gabrielle Cammish)
A day away always meant
returning to that place of
dormitories and large common-rooms.
How I wished the car could be faulty;
put off the hour of arrival.
I was the tail of the crocodile,
not the belly of the creature, pulsing
with life and little secrets:
never twin of another, matching
like with like, transporting
treats between beds at lights-out.
This was my cure, they said,
knowing the ways of the world -
knowing how children, resilient to change,
can spring out of themselves -
learn to be something different.
Frances Sackett
Stockport
Don’t take me for a fool.
Your promises are worth less
than the fixed smile you wear
like a medal for bravery.
Differences have defined us,
no bridge can sustain
finishing off each other’s sentences.
Offer your lost cause
to the nearest museum,
there are lessons to pass on
for the future of trust.
Now, no more words
mined from past failures
or your blush could be long.
I may look like a gentleman
but this mouth has a sting.
Gordon Scapens
Penwortham, Preston
Some booze got nicked.
Budgets as
budgets are,
they saved our jobs
by laying off
the security guards
and now
some booze
has got robbed
and the boss
is telling us to
BE MORE VIGILANT
I don’t blame him
for having a go
I don’t blame
the little scrots
who took the booze
and definitely
do not blame
me
for not being
a hero
so what’s the
solution
to whatever
the problem
is
it’s all,
we’re all
just feeling
the inevitable slicing
of the jagged edges
of whatever this
is.
Paul Tanner
Thingwall, Merseyside
it was a Saturday morning
in the middle of March.
I was standing
in the chemists
waiting to be served.
an old guy came in
wearing a cap,
hands in pockets,
his head hunched into his shoulders.
he was shivering.
“bad day,” I said.
“suppose the cold gets to you
when you get to our age,” he replied
‘damn,’ I thought,
‘he thinks I’m as old as him.’
‘maybe I should
dye my hair.’
then I remembered.
I didn’t have any.
Ivan Wallace
Carrickfergus, County Antrim, Northern Ireland
The drips of the broken taps
the winter sniffs of the old sheep
the reluctant shakes of their heads
scuffed grass and nettled floors
light diffused
as if through frosted windows
the green stains of old water pipes
rusty shelf-brackets unscrewed from broken stones
the wet wet mists
the sudden chills under the skin
the invisible talk in the strange language
the discordant movement of air
breathless ghosts
climb the dark blue stairs
to the tops of the mountains
sudden knocks on fallen doors
the wind is playing tricks
everything passes and nobody stops
except me
and the likes of me
but we have our reasons
the memories
the tick-tock of the clocks
the grind of pulleys and the explosions
heard on the wind's howl
in days filled with endless night
and candlelight
the door in the derelict house
opened to 3 rooms
one with a view of the rain's curtain
the cleft-foot print of the sure-footed goat
is to be found
in the ruins of the village
where patched plaster
like a skin disease
awaits fresh paint.
Gwilym Williams
Vienna, Austria
So I can cover my ass, I befriend the receptionist,
for love like hate is always acted out.
I bring her the fizz to cure all thirsts
and a rose for her hard little heart,
showing an interest in her Guy mags
and showbiz birthdays charts.
I chase her street shoes and her office shoes
round the squat little letters of her desktop
where she welcomes the mad and specialist,
deals with the screech of messages in purgatory
and squeezes my hot balls
of paper in her hand.
Punching in and out of work each day
in the toxic sludge of the small print,
I’m lucky to have so much to lose
as I sag on the ropes from the fight;
her body scarcely moves to save my ass
and washes down her sandwich with my Sprite.
F.J. Williams
Alsager, Stoke-on-Trent