Year 2007/08, Pulsar Poetry Competition Winning Poems

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Pulsar Poetry Competition Results

 

Thank you for participating in the year 2007/2008 Pulsar Poetry Competition, (the competition closed on 30th April 2008).    This probably has been the most difficult competition I've had to judge to-date, poets have obviously studied Pulsar and are hitting the nail right on the head regarding preferred poems and editorial style. I agonised over the poems but appreciate that everyone has a different point of view, what I like others may not - it was ever thus.  Once again, your kind support is appreciated.  By entering the competition you have helped to keep the Pulsar press turning. David Pike.

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Winning Poems are:

First Prize: £125

English Riviera by

Michael Newman of Bishops Cleeve, Cheltenham

Michael Newman, Pulsar Poetry 2007-08 Competition Winner, 5th June 2008

Photograph above - Michael Newman

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Second Prize: £75

 Bones by

Andrew Frolish of Layham, Suffolk

Photograph above, Andrew Frolish

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Third Prize: £50

 Breaking Point by

Maureen Anne Browne of Newtownards, Co. Down, Northern Ireland

Photo to follow

Photograph above - Maureen Anne Browne, click on image to enlarge.

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Recommended Poems, in no particular order:

Masinko by

Chris Hardy of London

Chris Hardy

Photograph above - Chris Hardy

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 I don't know why . . . by

Steve Breese of Kelsall, Cheshire

Photo to follow

 

The winning poems, and two recommended poems will be published in the September 2008 edition of Pulsar Poetry Magazine – free copies to all poets published within.  Winning and runner-up poets have also been notified individually.  

  Winning / recommended poems may be viewed below:

Once again, many thanks for making this competition a buzz.  It was a pleasure to view your poems.  Best wishes.

 David Pike, (Judge), Editor, Pulsar Poetry Magazine. 

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Pulsar Poetry Competition – Year 2007/2008 Winning Poem

(All poems are centred to avoid presentation anomalies)

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English Riviera

 

South.  To the south

Always the south.

Lanes lead from English Easter

Towards a Mediterranean Mystery,

Indigenous trees give way to exotics,

While the sun draws caravans

Across the Steppes of Central Cornwall.

 

I watch as boats

Take on outboard motors;

Oilskin-clad, children work up

A modern shanty; Far Harbour,

Parents mutter below-decibel.

The bay growls with two-stroke tuning.

 

Beach talk.  Tide turn.  Tide Town.

Wagtails amaze, picking away

At wet sand,

Their low loping flight characteristic.

But the smew that bobs on waves

Could be rubber duck,

Up and down a turbulent bath.

 

Far-out, ocean liners balance

On the earth’s rim,

Defy identification.

I attempt to focus binoculars,

Name my own inadequacy.

 

A dozen turnstones fly in,

Stand sentinel over shingle,

And work their patch.

I stealth a presence

Across the rocks, but am seen.

A dozen turnstones fly off,

Leaving emptiness.

 

Now the boats return from day-long Odyssey,

And the faithful tractor waits.

 

Michael Newman

Bishops Cleeve, Cheltenham

 

 

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Pulsar Poetry Competition, Year 2007/2008 – Second Prize

 

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Bones

 

We return to the clearing night after night

expecting to see that white glow

peel itself off the moon again:

the owl swooping between spiny trees

and the slick currents of polluted clouds.

 

At night, when we stoop silently

under low boughs and heavy skies,

the earth comes alive with crackling

and the scratching of prey finding cover,

shivering through pauses in the hunting.

 

On the third night, we find the owl’s perch,

a tree stump, rotting in its coat of fungus.

Pellets litter the dirt below: little furry sacks

of indigestible waste, the undesirable

aspects of the lives consumed the previous night.

 

Poking through the compressed fur,

delicate bones, like wooden splinters,

snag the earth.  Imagine the retching,

the coughing, the mouthful of unwanted

bitterness spat in a fury in the clearing each night.

 

Stumbling our way home down unlit paths

where the fingernails of nightened trees

scrape the flesh from our cheeks,

I look at you as the moon slips from your face

and I feel the bones catching in my throat.

 

Andrew Frolish

Layham, Suffolk

 

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Pulsar Poetry Competition, Year 2007/2008 – Third Prize

 

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Breaking Point

 

His tendency to complain

Remained after he’d gone to work:

A shadow, hovering

As she tackled a mountain of ironing

And headed towards dusk.

 

From where she stood

She could see Benevenagh

Drowning in mist

And felt,

Her sense of self drowning with it.

 

She reached for the last shirt:

Meticulously ironing

Around buttons

The colour of pearl barley,

Collar, pockets, pleats, placket, cuffs.

She wished she’d done his first –

He was fussy about his shirts.

 

She hurriedly put the ironing-board back.

Left nothing to chance:

Gave the mirror a quick look,

For reassurance:

Her lipstick was fine.

Used to concealing things

She deleted the dark bits under her eyes,

Downed a glass of wine,

Then – scrutinised:

All those things that shouldn’t be there

She removed,

For the last time.

 

She felt him closing in,

Just like the night,

Heard the crunch of rubber on stones

And knew

Something, definitely, wouldn’t be right.

 

Maureen Anne Browne

Newtownards, Co. Down, Northern Ireland

 

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 Pulsar Poetry Competition – Recommended Poem

 

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Masinko

 

When she says this city

is cold and sad

I know she makes it so

wishing she was back

 

in the city

without shops or money

hawks at the window

where she’s from.

 

They play a violin

with one horsehair string

sing to you your own song

of welcome and faith

 

nothing else but the song

is always new

made by two musicians

one plays, makes the words

 

both make the tune

until they stop, take a coin

and go, with a staff

across their shoulders

 

to loop and rest the arms

walking home uphill

in the dark finding the way

like swallows.

 

At night

the cold black sky

flows in the unlit streets

like glass, you see

 

between the stars

where God might be

if you choose to look

and silence offers all

 

you’ll ever need or get,

dawn, the singing

of the fire, birds,

feet at the door.

 

Chris Hardy 

London     

(Masinko – Ethiopian violin)

 

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Pulsar Poetry Competition – Recommended Poem

 

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I don’t know why . . .

 

There on the restaurant table beside me

A recently cleaned table

A discarded empty ketchup sachet

I don’t know why this is worth mentioning

It just feels important to me

 

My wife sits opposite

Both of us are coming to terms with the difficult news we’ve just heard

Words are non-existent when hope is asked for.

I look around the restaurant

In hope of some respite

 

Egged on by his friends

A man goes to the counter for a second helping of caramel apple pie.

He returns to his seat and consumes it as though the world is ending

 

A child repeatedly bangs a can of lilt loudly on the table

His parents ignore this, immune to the crescendo

 

Looking further I see a woman’s face

Skin a deathly white

A small clump of hair on the rear of her scalp is all that’s left

The cancer is beating her.

 

She looks straight back at me,

Her eyes a brilliant blue and within them courage and fear.

Hope is still there.

She smiles

I try to smile back but I am embarrassed of my staring.

 

A there on the restaurant table beside me

A recently cleaned table

A discarded empty ketchup sachet

I don’t know why this is worth mentioning

It just feels important to me.

 

Steve Breese

Kelsall, Cheshire

 

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